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"The pattern of progress can be compared to an oncoming tide-wave after wave moves onward seemingly with the same upsurge, but once in a while, one of the waves reaches ahead of the others, and then seems to be followed by the others, until the same motion occurs anew. Progress always moves forward-it is never still. The minute one feels that a certain level has been achieved at that precise moment one stops progressing, unless one tries to reach a higher level still or else regression starts and the level goes down. Perfection does not exist, but the ambition to reach it makes for unending progress and self satisfaction."  Bonade 

Cole's Music Band Instruments sales repairs lessons

CD Review

English clarinetists Michael Collins plays the Mozart concerto for clarinet and the Beethoven violin concerto with the clarinet part adapted for clarinet by conductor Mikhail Pletnev. The Orchestra is the Russian National Orchestra.
I thoroughly enjoyed this recording. I hear a lot of clarinet recordings and this is definitely one of the best.
The Mozart concerto is played on a Buffet Basset clarinet with an extended range down to low C.

The tempos in the outer movement are brisk, this combined with the intensity of sound of the Russian National Orchestra makes for an exciting performance. I am generally not a huge fan of Russian Orchestras as they can often play a bit too over the top and get tonally rough, this is not the case here. The dark sound and intensity of the playing adds something to the Mozart that I usually find lacking.
The performance overall has an Operatic flavour to it. Collins articulates the passage work more than most, this is refreshing and also in keeping with period performance practice where a rougher surface texture( less legato) was more the norm.

The Beethoven violin concerto performed on the clarinet.

This is why I bought the recording and I was not disappointed. Other than taking parts of it down the octave it's basically all there and it works. Collins tone as it in the Mozart is clear resonant warm and full of color throughout. Of the two performances I prefer the clarinet sound in the Beethoven concerto.
 I believe he is using a Peter Eaton International clarinet, though it doesn't say so. The sound anyway is of importance, we are used to hearing those lines played on a tonally rich violin and for the clarinet to match the warmth and color of the violin is difficult but he pulls it off. The sound is neither diffuse and spread as with some English players nor overly hard.
Technically its very impressive for a clarinet to play all those violin octaves is remarkable.
Again in this performance the orchestra is excellent.
What I like best about this CD is that I was aware of listening to the music more than listening to how Collin's played the clarinet.A CD that reminds me of why I play the clarinet.

Authorized dealers of Nobel Band Instruments

Nobel Clarinet

Nobel_clarinet14041 Bb CLARINET, brushed hard rubber body for a wood-like sound and finish, wear resistant nickel plated keys, waterproof Valentino pads, French blue steel needle springs, genuine cork bumpers and tenons, bell ring, 65mm Moenig bore barrel, light case with back pack straps. The quasi-indestructible nature of Valentino pads render the Nobel completely airtight and fully resonant. A best choice for a sound investment. $495

Every clarinet is set up and play tested before sale, most stores do not do this. This clarinet has had some undercutting of higher tone holes and resetting of pad heights done for better pitch and tone.

The material, reverse taper barrel and design give this clarinet a more mature rich sound when compared to standard student clarinets costing hundreds more. I have played one in the orchestra for outdoor concerts. 

Alban Classical

Private performance April 14

PGSO April 21

Wind World Alban classical school show April 23 and 30